Next up, let’s set up the custom buttons that will allow you to switch your camera settings such as ISO, White Balance, and even digital zoom on the fly while filming. For me, I always choose to shoot at the high frame rate in camera and then interpret the footage in post-production because the projects I work on require the highest quality of the footage. Let’s select 24p. The cool thing is since you’re using S&Q mode, the camera does all the work for you and your slow-motion footage is now ready to use. Let’s select 120 FPS for the slowest footage possible. Learn how your comment data is processed. 2.) Slow-motion already makes whatever you are shooting more cinematic, but there are some additional things you can do to make your footage EVEN more cinematic too! Next, press Enter and under Gamma change the setting from S-Log 3 to Cine4. After 2 full years of using this camera to shoot slow motion in all sorts of conditions, this is honestly one of my favorite accessories I have purchased. So, these are Harv’s top five tips for all you Sony A7S II shooters out there. Claim your copy of DAVINCI RESOLVE 16 - SIMPLIFIED COURSE with 50% off! Your arms are also less tense which will give you smoother footage. By using this you will allow the camera to rest in your hand during camera movements which feel more natural. So, without further ado, let’s see how you can improve your workflow while utilizing any of these fantastic filmmaking tools. The Sony a6500 can shoot 120 frames per second (FPS) and 60 frames per second (FPS) slow-motion video at 1080p. To deal with this shortcoming, Harv suggests using a gray card to tackle the issue which doesn’t seem to be the most practical solution but still can do a fairly decent job. Here are 10 of my favorite tips and techniques to get the most out of the slow-motion footage captured from this camera. Higher bit rate footage has larger file sizes, so you will have to invest in larger hard drives depending on how much footage you capture. Plus, S-Log2 tends to be less noisy than S-Log3, so it’s obviously a more viable option for those situations. In concrete terms, this means that both cameras can output video footage in the XAVC S format with capacity for shooting 4K at 100mbps as many as 30fps, Full HD 1080p at 50mbps up to 120fps. 2.) Put simply, a higher bit rate will give you higher quality video. It looks like a camera icon with the number 2 to the right of it and the background is purple. This conversion can take a long time. Hi Justin! You’re welcome and thanks for reading! Hi Tom this is a very helpful article. Shooting in S-Log2 or S-Log3 in combination with some decent ND filters should probably give you better results. 7.) 9.) Turn the mode dial to Movie Mode and follow the instructions we went over in “Option 1 – Shoot at High Frame Rate and Interpret Footage in Post” to select XAVC S HD file format and 120fps. 5 Tips For Shooting Better Video On Your Sony Alpha Series Camera, Adobe Unveils Project Rush – the World’s First All-In-One, Cross-Device Video Editing App, New Samyang/Rokinon Ultra-Wide 14mm f/2.8 Prime Lens with AF for Canon EF, Sony Tease a New FS Camera to be Announced at IBC 2015 #NoLimits, DJI RSC2 vs RS2 Side-by-Side Gimbal Comparison, SIRUI 24mm F2.8 1.33x Anamorphic Lens Announced, How to Track Motion and Titles in Premiere Pro. The camera does all the work for you, so you can use the slow-motion footage right after shooting it. Remember, that if you do want to switch back to shooting slow motion in camera and interpreting the footage in post-production, you will have to back through the “Movie/S&Q Motion” option to select an in-camera slow-motion option. In your tip list, #10 seems obvious. Here’s how to get started on customizing your camera button layout. The choices we have for slow-motion frame rates on a record setting of 24p are 120 FPS, 60 FPS, 30 FPS, 15 FPS, 8 FPS, 4 FPS, 2 FPS, and 1 FPS. My goal with all these articles is to help you out, so if you ever have any questions just send me an email at [email protected], DM me at my Instagram @tom.shu or leave a comment on any of the articles! From there, use the navigation buttons to scroll down to PP8. eval(ez_write_tag([[580,400],'4kshooters_net-box-4','ezslot_0',144,'0','0']));In addition, you should avoid shooting in S-Log 2 or S-Log 3 while using any of the higher frame rate modes of the camera due to the fact that the native ISO goes up to 3200 which makes it more difficult to control the overall exposure regardless of the faster shutter speed utilized on those occasions. You’re not able to shoot slow motion at 4k with the a6500. Tom. eval(ez_write_tag([[300,250],'4kshooters_net-box-3','ezslot_1',143,'0','0']));While being one of the early adopters of the Sony A7S II camera and after filming with it extensively for more than a year or so, UK-based filmmaker Harv of Harv Video/ Audio Stuff has come up with a few handy tips and tricks that might help you to get the most out of your A7S II, particularly when it comes to shooting video with it on the fly. Select XAVC S HD for File Format. How to record slow motion movie on the Sony A6500: Set the mode dial to (Movie/S&Q Motion). 1.) You want to make sure to set this up beforehand because if you rely on Sony’s internal menu system, it’s nearly impossible to switch between the different settings efficiently and you’ll likely miss out on capturing some great footage. The most important thing is just to set your camera up in a way that’s comfortable for you. That’s it! The 4K video will have the .MP4 extension. Turn the mode dial to the Movie mode. The second option is to use the camera’s built-in S&Q Mode (Slow & Quick Mode), which lets … If you don’t want to use editing software to interpret your slow-motion footage, you even have the flexibility of shooting slow motion using the camera’s built-in S&Q mode. In this menu, you will be able to choose which recording setting you want to shoot with. Since you have to interpret your footage in post, you will not be able to preview what your footage looks like in slow motion right after you have shot it. The A6300 was better, but it did indeed overheat at about the 25 minute mark when recording 4k video. Go to submenu 8 of 9 and select the Custom Key(Shoot.) I’m not going to get into the specifics about the bit rate in this article, but if you want to learn more here is a great article I found from encoding.com. BOY, was I surprised. Video professionals will also be glad to hear that the Sony A6500 samples 4K footage at 4.2.0 internally and 4.2.2 externally over HDMI. (There are plenty of examples in the “Cuba” video). Once you have your file format and FPS selected, set the shutter speed to 1/250 and the f-stop, ISO, etc. The Sony a6500 can shoot 120 frames per second (FPS) and 60 frames per second (FPS) slow-motion video at 1080p. You can add different settings for the camera to recall in the M1 – M4 memory recall slots if you want to, but I have found no need to do so yet. that you would like to recall whenever you turn to this memory recall on the dial. 8.) Movies recorded with the [60p 28M(PS)] / [50p 28M(PS)] / [60i 24M(FX)] / [50i 24M(FX)] / [24p 24M(FX)] / [25p 24M(FX)] setting in [Record Setting] are converted by PlayMemories Home in order to create an AVCHD recording disc. In other words, make sure to keep your shutter speed is at least double your frame rate. Now that you’re armed with this information on how to use slow motion with the a6500, get out there and start filming! The options you have are Program Auto, Aperture Priority, Shutter Priority, and Manual Exposure. To do this, we have to store the settings in the camera’s memory recall. Note: The location of the pictures and videos will vary depending on the recording format it was recorded. To load the profile on your Sony A6500, first access the main menu and under the first tab, head over to page eleven where you’ll be able to find the Picture Profile setting. thanks sir abaut your article, which is better the results of the video using slomotion directly on Sony 6500 or edited through a computer? 1.) If you are shooting in low light conditions, shoot at 60fps instead of 120fps. The extra time you spend at the beginning setting up your camera and the extra time you spend getting used to the custom layout is well worth it. The margin of error is smaller since you are already capturing a less amount of detail. Below is Harv’s step-by-step guide regarding this particular workflow. Before going into the camera menu, let’s first get started on the exterior controls. In any case, it’s good to know the pros and cons of each option because you will probably use both of them at some point. If you shoot in a high frame rate like 60 FPS or 120 FPS, you can do this motion much quicker and then slow the footage down in post for some nice cinematic movement. In any case, you’ll find which modes and settings work best for your workflow once you get going. Next, let’s choose the slow-motion frame rate to record at. I curious as to how you would go about getting that slight camera motion with otherwise still shots. One of the biggest reasons why I decided to pick up the Sony a6500 versus the other mirrorless cameras on the market is because of its video capabilities. You will get better image quality if you shoot at a slow-motion frame rate and then edit it in your camera. 8.) The a6500 pushes out an 8-bit 4:2:2 4K signal out of the HDMI so, while you will get a higher Chroma Sampling (pixels recording color information), you would still have the same bit-depth as your internal recording options. If you haven’t and you want to set up memory 1 and memory 2 to recall your 4k or slow-motion video recording settings, here is our step by step article on how to do so. Open up your menu and navigate to the camera 2 tab. That means it’s priced between them, as well. Sometimes while recording videos on gimbal there are few shakes which we can’t control/remove in the post-production process, there this lens gives an extra advantage with a6500 by minimizing jerks and gives extra smooth footage. NOTE: The record settings for shooting slow motion in the camera are above the S&Q settings on the same menu. Shooting this way will give you the best quality possible as you can shoot at a higher bit rate. Sony a6500 (15.8 oz./449g with battery and card, APS-C E-Mount, about $1,398) and PZ 18-105mm OSS. Specifically, what impresses me most about this camera after using it for over a year on a variety of different projects is its slow-motion video capabilities. Conclusion of Sony a6500 Review. The last thing you want to happen is to capture once in lifetime footage, only to wish you had captured it at the best quality possible. Also, HFR modes seem to be prone to things like moire and increased noise due to the 2X crop according to Harv, so using any of the other picture profiles like Cine2, Cine3 or Cine4 as an alternative should yield better overall results in that regard. For XAVC S 4K videos: Open the PRIVATE folder. I show you how to use the wifi and bluetooth features on your Sony a6500. 3.) Depending on which record setting you choose, you will have different frame rate options to record at. Hi Jalan – thanks for your question. To give you an idea of the bit rate difference between shooting the slow-motion footage in-camera versus using S&Q mode, you can shoot 120 FPS at up to 100 megabits per second (Mbps) in-camera while you can only shoot at 12 megabits per second (Mbps) in S&Q mode. If you can’t afford a gimbal, you can also wear roller blades, hop on a skateboard, or place the camera on a towel on a flat surface and pull it. 5.) With that said, I know many of you might not have access to editing software and just want some nice slow-motion footage, so S&Q mode is probably the better fit for you. Alternatively, you can do further tweaks to the white balance while using the built-in Custom WB Adjustment, but be careful with this setting as even pushing the tint a notch or two in the wrong direction might bring you a lot of troubles along the line, so use this adjustment with some extra precautions. Then I lunge from the left to the right or from the right to the left depending on what way I want the motion to be. For 4k depending on the frame rate chosen (24p or 30p), your initial shutter speed should be 1/50 or 1/60 to follow the 180-degree rule. The 2 ways you can connect your Sony a6500 externally is either through Bluetooth or WiFi, but they are for completely different functionalities. Yes, the quality should be the same. Inanimate objects such as buildings, statues, and building interiors do not need to be shot in slow motion. Did you know you could geo tag your photos using your smartphone and the Sony a6500's built in blutooth features. This mode will allow you to retain more detail in the shadow areas of your image and should give you more room to play with when it comes to color grading the footage later in post. Select the “Movie/S&Q Motion” option in submenu 1 of 9. Use some sort of stabilizer for extra smooth footage. Sir, thanks a lot your article more helpful Any different shoot in NTSC format in 120fps and PAL 120fps, i mean quality. There are 10 buttons that you can customize in this menu. Video recording also benefits from the A6500’s Touch Focus feature and 5-axis in-body stabilisation, and it can shoot in S-Gamut/S-Log modes. All you need to do to shoot in this profile are: 6.) Ultimate Guide: 7 Best Mirrorless Cameras Under $1000. Hi! The first way is to shoot at a slow-motion frame rate in camera and then slow it down in post-production using editing software. You will be able to choose your Record-Setting and Frame Rate in this menu. Open the CLIP folder. The choices you have for slow-motion frame rates are below. 7.) This was one of the things I always forgot to do when I first started filmmaking and it ruined some otherwise great footage I shot. Use the 180-degree rule. 3.) 6.) 9.) 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