The Sony Cyber-shot DSC-RX100 VII point-and-shoot is a modest update to the RX100 VI, offering better autofocus and video stabilization for a bit more money. A jpeg is a compressed imagewhich takes up less space on your SD card but is less suited for editing afterward. Indeed if you mostly shoot in low light and find 70mm long-enough, then you’ll be better-off sticking with the Mark V. The slower aperture also means less chance of achieving a shallow depth-of-field in that shared 24-70mm range. As a newer generation, the RX100 VI is also equipped with Bluetooth, S-Log 2 and 3 for grading footage, HDR HLG video and proxy recording. The RX100 VII is the latest and greats ultra compact pro grade camera from Sony. I'd get mine at Adorama or at B&H. Here’s two examples each at the wide and long end of the range to illustrate what’s possible. If you have an NFC-equipped device, such as my GS7, the entire process is incredibly simple: just choose the image you want to send in playback on the camera, then hold your phone against the side of the camera for a few seconds. The 24-200mm zoom lens is complemented by 0.02-sec. So far so similar to the Mark V, but in a huge upgrade, you can now adjust the single AF area positions by touch using the touchscreen. First youâll need to pair the camera and phone, by enabling Bluetooth on the former and searching for it on the latter. The RX100 VI can be found for around $1100, whereas the mark VII model starts from $1200. While the option of a self timer just for brackets is a welcome one, I’m still dismayed by Sony’s general menu strategy, particularly how many options are greyed-out if an incompatible setting has been enabled. Still, you can slip it into … One second of action using H speed. The RX100 VII adds powerful new focusing and burst shooting capabilities to the wide zoom range and exceptional image quality of the RX100 series. It also inherits the popup XGA OLED viewfinder of the Mark V, although this now features the single-action mechanism of the RX1r II allowing you to pop it up or push it back down again in a single motion. Like other Sony cameras, I found the Wide area mode works best for faces or defined subjects against a fairly simple background. The maximum aperture of f2.8 is only available at the first couple of mm, before slowing to f3 at 27mm, f4.1 at 50mm and f5 at 90mm, then to f5.9 between 160 and 250mm. Once you begin to zoom the TZ100 / ZS100 into longer focal lengths, it becomes almost a stop slower than the RX100 VI, while the TZ200 / ZS200 is slower throughout its entire range. Allows you to shoot with the exposure adjusted automatically (both the shutter speed and the aperture value (F value)). The big new feature of the Mark VI is its lens, starting at the same 24mm equivalent focal length of its predecessors, but now extending way beyond their 70mm telephoto to a much longer 200mm. The Sweep Panorama mode still enjoys its own dedicated position on the mode dial, and selecting it unlocks two options on the first menu page (although why Sony doesn’t let you set things in advance while you’re in other modes remains beyond me). As stated above, the Sony Cyber-shot RX100 V was released in 2016. Allows you to shoot with automatic scene recognition. Another compromise of the longer zoom range is the loss of the built-in Neutral Density filter. Note none of these pocket cameras are weather-proof, although underwater housings are available. Sony RX100 VI – Performance. This can be useful if you desire slower speeds than the camera’s suggesting (perhaps to deliberately blur motion or because you’re very steady), or if you desire faster ones to freeze action. The following diagram describes the available modes in the mode dial of Sony RX100 VI. Like previous Sony cameras you can choose between Standard and Wide for the size, and Right, Left, Up or Down for the direction. Their slower focal ratios again mean the necessity to deploy even higher ISOs or slower shutter speeds under the same conditions, and again less of a chance to enjoy a shallow depth-of-field at the same subject distance, although both Lumix cameras can focus closer at their wide-ends which compensates to some degree. As before, there’s also a programmable smooth ring around the lens. I found my GS7 can often be a few meters out when kept in my pocket, so if Iâm after the most accurate co-ordinates during a session, I try to keep my phone in the top of my backpack. This mode takes clear images of dark or backlit scenes. In practice itâs almost that simple, but requires an additional step to get started. Do you edit your pictures on your desktop? Not only is its pop-up EVF rather larger than the Panasonic TZ200’s corner-mounted example, its screen tilts too, while the TZ200’s is fixed in place. Summery of Sony RX100 VII . The Sony Cyber-shot DSC-RX100 is a 20.2 megapixel compact camera announced on 6 June 2012. Impressively Sony’s managed to squeeze the new lens into a body that’s only 1.8mm thicker and 2g heavier than the Mark V, although there are some understandable compromises as a result. On the RX100 VI, the brightest aperture of f2.8 is only available at the widest focal length of 24mm. Even if you don’t buy the RX100 VI, it’s worth checking out. Of the many features I like, I have been very pleased with the "Clear Image Zoom" capability of … Sensor: 20.1 MP 1-inch type stacked CMOS image sensor 2. The Sony DSC-RX100 VI measures 4 x 2.3 x 1.7 inches, making it about the same size as the previous RX100 V but just a tad thicker.